Skip to main content

she will probably be missed because she was fearless at absorbing whatever the culture presented her

fig.80) farm squabble


There were so many lovers, more than any of us could have guessed. As she liked to say, "I've traveled everywhere and always brought the soup." Hot with idle beans and through countless visits, I did indeed see this. I also saw her swap shoes in the lane with the traffic all around her snarling, pretending to be a great bear.

“This barn is like a wood house that's very full of naked animals,” this is written on some pale telephone stationary. The blue ink is thin and the words have blown up on the page. She was fond of reminding me that her lovers could be numbered in traffic lights. Singing Iron Man in the shower, replacing all of its lyrics, "I like traffic lights, pretty little itty-bitty traffic lights, red ones green ones too, I like traffic lights yes, I do!"

The effect of her was always something like a target being spun out in front of some wavy plywood while paint is pooling around fresh young toes. She danced and threw apples at the windows of many of the women she loved. Always racing towards befuddlement and the dumb wooden bins behind the barrels of salt with their magic, she tried and she tried until her dice finally failed her.

I'll always miss the way that fur feels when it's wet, "Goodbye, fairlorn."

Comments

Popular posts from this blog

Totem

Tonight is old. It's wett but current and bored. I'm watching nothing but stars in the often sky that happen... do... tonight is lame like old, young like song, even as blue... Equal after the sun, noon or scripted yellow you are to me... A we (as sound)

Songlet is Best

fig.0231) FizzGraf MT. "Magical, like a chorus of like minded souls in a froth of cotton fumes." Over fake doors, under refurbished ladders, gypsum board and bent yellow pipes offering us an unmade bed and a stained window. Our one chance at tomorrow.  Magnetic guts from at least a thousand cassettes are strewn across the room. Hee-Haw style, fancy dress shoes cling to the floor like it's '86 all over again. Hee-Haw, goes the sound. Hee-Haw, we're closer then we were. Hee-Haw, it's hilarious. Listening for trains, leaning out over the rails like two people with no time at all. Better maps, that's what we need. We could use a melody for singing with this chorus; in whose curious presence more patients wait to be found. With hands over our heads, someone passes by and asks, "gender?"  There's stars in this sweet tooth of mine and some atoms left from the sky, Tonight the whole angle of heaven sleeps without light. Ordering its coffee darkest, t

Whiskers, chanting, "swap me, swap me!"

Fig.32) Aging poorly We're just together, taking ourselves for a tidy sum of walk and now our toes are wet and cool in the Lak, beside a cool stone that could drive a modernist to their flint. There's a listening experience that feels prepared, "our's for now, ours it says! Here's the hammer and it's wrapped in its own design already. A union in time-space, this card is our greetings, our massive, our very patience is reflected in this resolve." Suddenly, there's a cut away and she's wearing the pants that I've made for her, slow blue like painted smoke . I'm thinking about her hunched over the kitchen table, something that's stuck. There's a carving knife in her hand but from here, it's the same as an old spoon. From here my computer is sitting on my guilty seat, I'm thinking about champagne and comparing it to a thick wad bees and wondering whats in it for me? It's an anxious season, filled with not enough of anythin