stagnanTVowels

so gone Just because we have the keys to every car Just because we can Lets pretend we're better than this Let's be better men Let's remind the world that it is part of something too That even standing here alone Our penises are here because of you, Oh Hey by the Oh Hey Gang on Turn Around Vinyl. Astride the sunny bafflement in the tower of keeps, there's everyday spent above the dirt. There's every fucking day spent listening to Clement Greenberg whine and whine. There's, Woman of 1950. She's a great sizing of colorful slashes and brutal reversals on adamant thought in general. In the beginning Bill could draw but now he would make them dance and sing for the pleasure of his pony. Historical, meaning social, meaning political or right. De kooning would like that. He would. He would certainly see the mantle as big enough for all. It's why Elaine married him. She likes his passion for the work but she loves his acceptance. The way he can sit do

fig 233.) twines the dot The river rises among everything It's the storm of the great with quick of it now It's the storm of the quick that is here Send my worry on to the farm but worry not for me dear I've got a restless heart that's been faceless and weird its seen your eyes in the rain and its laughed just the same Call me another then call me once more I've left out the door This is the side of my day that's random and bored, On we've sung this before. On we are here. Hands at rest my foot glides to its stop. The sweater's dark, it's dismal and fast. No, I think this is best, The light is bright enough to make out the six straps beneath your owl pattern.  The sudden swoop of the rock. There's loud enough and loud enough to fall. It's the nature of me, for sure. I'm not so sure anymore.

fig. 1) adios rosetta  Sitting on the bench of the bar, really a sweet stool and drinking us some draft beers. We had us some Old Styles, some Honkers, and some rich and complex Bells with high and hoppy finish. Then we sat at this tall table for awhile, there was me and Jack and Francis. We had us a bright enough time playing with books of matches and trading some energy around, When is it all going happen?  The Range of the day wasn't as long as it could have been. Our deeds seemed short as well, school was only just begun. We had just turned nerd and were paying for the privilege, Francis rolled loose tobacco into swift white papers. I watch him and say something about the stones, or the ears of holes in the timeless tray of the day. I say, Blank in the park again. Not very in a pitched tent with the weather or not. Jack said, Dope. The sun, and then he laughed again and again. I think it's right. You know I looked into that. The whole thing. It's not always li

tax pork A graphite drawing of PC from a notebook that I was keeping in 1997. He's sitting on a our green sectional sofa here. The sofa was just outside of AN's room at the back of the first floor at 1822 S Desplaines. We also had a pivoting rocking chair upholstered in velveteen that would have been sitting beside him just outside of the frame. A portion of this space is also visible during the interviews contributed to, The Exotic Body Politic or A Short History of M.E.D.I.C.A.R.E. a video that documented our time spent at the 1996 Democratic National Convention here in Chicago. M.E.D.I.C.A.R.E. or Male Exotic Dancers In Coalition Against Right Wing Extremism was a collaborative performance project that was developed with PC, AK, AN, EP, DS.