Skip to main content

Wherein Young Master K's Problem w/ Handsome Leda is...

fig.25.32) rot in the hutch is not a bunny's dream

Then after drying all of their feet on the grass the swans get bullish along the path. "So goeth the code, say I, away-away-up-up-down-down-left-right-enter-start today. There's the fucked up holiday bullshit with the forks that are following us here." They're always the first to be dressed as they stand there in yellow, then as a barber and at last it's as if they're the same terrible priests that they always has been. Some of them are mostly aimless and some are like goldenrod with the scrub and the thorn that they've strewn around. Still, I find this to be funny and it's rhapsodic like it's been filled up with tipsy bunnies. There's the epic daisy, the sheep in the farmers barn that are waiting patient and worn for the aimless cartographer and his flatulent and waffled butt to finally appear. It is for him that we'll lift this glass tonight.
"You can't sing away the old rhymey Fatty Arbuckle fantasies with muses and stones, nope. The days too late away for that. The days another day today and it's bitter folk are its own and they themselves are bold. Green goes, Sing I, green goes the ghost..."
There's the anal triangle with the Horus Eye and it's illumination gesture at the bottom of the jug, they're either singing along together in the rain or they're just effed uppity eff and up-upnessed. Just like every people that are everywhere, it's the old drums and the broken homes that make the softer music that we'll hear soon enough. If they can't speak cheaply then they'll do so loudly. If they can't then still they will, even if they never should. Because they're not full of range the every people have very little nuance for themselves, this is what the every people don't understand. They've got no appetite for their own perspective, for the actions that they too often lose down the losing hole. The every people being everywhere those people that are making too much noise for themselves, that is. But the judgement of bone is silent here and the solemnity of dirt has for itself no want of a phone with which to call you or you or you instead. It does not vote nor wait for fingers upon which to crawl about. I thinks that it must enjoy a simple sandwich still, a treat at the Midway. Maybe something typical rather than something that's hammered or banged geographically to be extraordinaire.

Comments

Popular posts from this blog

The apologist and the appraiser have decided to stay put

dashed wet and grim Oh now, Reagan of steel glitter in pants with which to shake them on down. Oh now, I shit you not for these are the things. Yes in any order you should choose these are the things to please please me, Oh Yeah. - Unmarked letter signed, A to A They'll say to me that it's safe to say so much for ubiquity, for disenfranchisement, and the terrorism of privilege. They'll say to me, With all of the effects from these profoundly toxic effects, is the project of our shared humanity effectively being dismantled. Are these the idle thoughts and sad tidings of despots and the tyrant kings inside of their comfortable towers of raised muck. As I've said before, They're not so far gone as to be gone for the good of all. This is plain to be seen in a world of bent backs and gross hyperbole. I'll sit in any unused doorway. I'll be beside myself while every door is locked. I'll dream of the halls and listen as the curtains, the drinking, an...

Piles of leaves: Letters Campaign

Suddenly old but feeling perfect, my wet underwear is on the the floor. It's gathered round my ankle. Myko laughs, just as wet and full of piss as ever. The violence of our togethering already feels like more than something. I reach out, taking the back of her neck with my hand. She's stepping in as I lean over to write; Dear, Temperance, October, and Brine, You are more than a place to me. More than walls and simple chimes, but I'll write to you anyway. This you'll know as you read my words. From here beside the lark's buttered breast, from under the heavy lids and the bright side kettle where we'll hum. We'll hum together, Bunny. Dickens be damned, we're now brightly doomed. Soon enough we'll see, the forest within the trees. To you, Tigre PS. are more or only this bed, maybe the floor too.   We spend the day in, ordering takeout and hiding under the sheets. I get up and pee while Katt is talking about Milton. Her mouth's open, it's as rou...

Not the Willem DeKooning Retrospective (Not Even Close)

Willem DeKooning, Excavation (1950) oil on canvas Yesterday at work I bumped into this piece by Donald Kuspit on DeKooning's retrospective over at Artnet . Then this morning I bumped into this one on L Magazine's site, by Paddy Johnson . I don't know that Paddy Johnson demystifies DeKooning as much as she takes issue with his pallet, declaring it repetitive and boorish en masse. By contrast, Donald Kuspit writes an article painting DeKooning as a sadistic brute inextricably tied to the modern tradition in general and Picasso specifically. Together they make for some interesting reading, particularly as Kuspit never addresses the show itself in favor of drawing his conclusions from individual works. While Johnson seems to wear the show like an imaginary wool shawl, noting it's uncomfortable, out of style, and the zipper is broken. But she doesn't seem to get to a place that addresses what was actually there either, only what she felt was missing or to her mind ...