stagnanTVowels

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Piles of leaves: Letters Campaign

Suddenly old but feeling perfect, my wet underwear is on the the floor. It's gathered round my ankle. Myko laughs, just as wet and full of piss as ever. The violence of our togethering already feels like more than something. I reach out, taking the back of her neck with my hand. She's stepping in as I lean over to write; Dear, Temperance, October, and Brine, You are more than a place to me. More than walls and simple chimes, but I'll write to you anyway. This you'll know as you read my words. From here beside the lark's buttered breast, from under the heavy lids and the bright side kettle where we'll hum. We'll hum together, Bunny. Dickens be damned, we're now brightly doomed. Soon enough we'll see, the forest within the trees. To you, Tigre PS. are more or only this bed, maybe the floor too. We spend the day in, ordering takeout and hiding under the sheets. I get up and pee while Katt is talking about Milton. Her mouth's open, it's as rou

Alarms in the Hazard Night

fig.035) loathsome lamentation and some basic flesh Flesh by flesh is, what it is and always has been, Flesh, again and again and again and again and again...A forest of blind dreams, in a valley of monuments where no one, can sleep Some soft fruit from the man man tree, a dry pull from mad youth Some broken weather for the quiet birds, like songs in the grass with dry turds Over the waves that are crashing, over the walls where the river rolls Forbidden are the tastes that we're tasting Wet in the days that we've ended, we've ended old Over and done go the dead things, the dead things that nobody knows, in bed all over and over and over again... From Milch, this thimbleful of red... The swath of angry paper I've rolled myself into is starting to disintegrate. Already fragile, moving through the crowd has made it damp and now unbearable. So I'm frustrated, being left by the door this whole time. I'm only now making my way towards the kitchen. I stop and pic

TYPE-2 (craig-bait) Getting Near the End

fig.8) et randy libertine... All of the houses that I've ever known have burned down too the loose sand that was beneath them. Since, James Baldwin has continued to magnify the essence of those I've loved. Surrounding myself steadfastly and without regret, those who have assured me or amplified what I am or have hoped to find inside myself, have only done so by turning away and becoming another soulless asshole that I've had to walk away from. I pull my fingers out of my pants and they're still bloody. I walk into the store and ask for my gun back, but they laugh. I ask for my money back and they hand me liquor instead, cheap booze that has an acrid smell. Then when I walk back inside and ask for more, they look at me with suspicion. I remember being young and disrupting technology, rather then interrupting the whole operation or getting anywhere with the system, we hiccupped. Missing the bed by just a second, being sweaty and still wanting for more. Now, I'm home

Final Math, or The Seaman's Bell to The Widow's End

fig.980) The Seaman's bell and the incense from the choirs nest are together. Foliated and compressed finally drawn from the water, from the weathers wet side. Bias is its own place, anchored to the sick sacks of blood we are. Open the line of this street down its middle, right between the lights. Then wait, the long night through. Whoa Oh a Whoa Aye... I'd love you twice as much tomorrow. Then the clasp at the other end breaks and mad as the moon over the moors, King Ovid-Pants agrees. While my fingers continue to fumble, the pendant slips its chain completely. Sliding down into the place between your breasts, King Ovid-Pants. Maybe it seeks a trove of amphetamines there or a place where Stan Brakhage might wait. On the day, we're marching up and down the length of my room. The numbers we have are loudly shouted. It's as though all of it, the math of simple things and the quiet youth of its being built or consumed can stand for something. It's like they'

The Earnest Risks of a Noble Actuary

fig.082) sploosh, this salient and inconsequential arc Don't you know, we're Dancing Dancing through the flames from our beards, Apostrophy, Parenthesis (in that old order); Mrs. Jamwell June, of Sunny Market Place, Deeply Hopless Records It started when the other farm's got a taste for herding some of our stray numbers. At first they poached a few of the prime numbers from the bottom of our board. But then the chalk began disappearing too. Soon enough, people all over this valley were leaving. Finally, there wasn’t any will left to use any of it and the whole thing evaporated. I remember the farm before its small math made it so big. Back then, it couldn’t fail because there were plenty of big numbers floating up to the top. There was never a need for Euler or their damn constant. That is until gamma arrived, suggesting that it was the same thing, only different. That’s when the farm broke. That’s when it started making all of us hungry too. It's the worst tim

The Wary Title, Going Back and North

fig.09.4L) Standard Space Applying Fig.09.4L) Standard Space Applying, or Our Invisible Wall Peaks Crowd 1: "Slip into the tub, scare the kids pissing in our pool," we know now. "Make everyone wise as hell, I'm just saying." "Backing up, our eyes stuck slowly in the mirror." "Let's drown the bastards, living in their piss until nobody laughs anymore." Crowd 2: Our place of favor skips our place of done and gone like it's lead going brilliant Being right, passing beneath every bridge after bridge being seen Because we're thoughts about donuts and not the donuts wasted (yet unresolved, this Yankee without station sits white as their flag) This window, its dressing and the abutment that's south of the square is at least three things.