The Visual Language Or Your Rainbow Is Standing On Top Of My My My Rainbow

This Leopard relief was created by the people of Çatalhöyük. An ancient pre-historical culture that existed in present day Turkey at the very cusp of the agricultural sciences. Their proto-city was a mass of simple jumbled boxes that utilized the horizontal space of the roof as both public throughway and plaza. Doorways in the settlement tended to be few, low and interior. In this way the construction and demolition of Çatalhöyük was likely ongoing from 7,500 BCE through 5,700 BCE. It resulted in a 20 meter mound facing the Konya Plain. The importance of hunting and agriculture on the social mechanisms and personal lives of the residents of Çatalhöyük is very much unknown. What is known is that the patterns on these leopards is really fascinating. Combined with the marks used to identify the claws this image with it's low relief becomes practically animated. The play at liveliness by elevating simple contrasting elements is clearly an ancient visual strategy. When put into a relational context with the modern works of Fernand Leger or of street artist Keith Haring one can easily see similarities in the visual language emerging despite the likely differences of these artists experiences to those of the earlier people that crafted these Leopards. This is just some sweet stuff in the morning.

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Signal-Partition-Angel-Void

"Hello, angel popper and again hello. There's blanket enough for you if your horse has swept its business. Let's be real. Let's be kind and orderly through this swamp. I'm a beast, so let's be beasts and never stop"
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Who's Zoo?

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Your Fantastic Sex, it is Genderliscous!!!

Oh Alice, sweet Alice, down the well and in the low field across from the helper-bees. We'll face our frontier with a buzz. We'll cast our piddling stones in the wind and wait. Dream, Dream, Dream, "Cordial and regrettable things, stand solid, unflappable and gummed inside this wonky tide of glue." She's ankle deep in tired feet herself. Climbing from her hole, she's laid her potty mouth in the river by the road.

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"Those are craven and nasty things. They're easily locked inside of my box or chucked under the bed. What, why me worry at all, is all that I have to say that."

"O&…

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