Skip to main content

Making Sense Of It All

fig.894) Fuck You, Captain, Pirate, Monster Stupid-Bird

I'm mourning and failing into the day's quietude. The myth of me is like an anthill whose overturned calamity and swarm is tiny and can't pass measure. Cigarettes taste good, they're like an ocean around the preacher's ears while the book of their indignation is clasped to his chest whitely. Over full with sanctimonious bookly shit, bilious from copious queses but satisfying none the less, or so the preacher now surmises.

Look, the birds are back. They’ve returned and it’s not just the fat chunkers either. There's starlings teeming in the dirt beside a few cardinals and a broke down pigeon who's coughs. Poking around, all of them look as obnoxious and selfish as preening judges.

"Zombies won't come, not today. They're up in Uptown. There's perfect crème brulee there."

Today in the gutter like prizes, there's stalled carts and shoe boxes. The tooth of their capitol once issued with mutter and hush has finally crept off darkly. Rodents are dashing along the way now. More marks like the others, more ghosts for this maze. There's a rush of horses but they aren't telling anyone nothing, not even me!

In the weeds are my own nutterings about the fastness of every other thing, including those they, their's, them's and a Milton too boot. Then there's the constipated math. Before viewing, it has to stop to breathe in the Bandshell's wings. It has to remember the old times with the horn players that once slacked in the shadows. It has to murder those politics that were left on our doors.

This knackered tomb, everyone within it introduces themselves as, Mister Charles Bukowski. All of the gas lit infusions or blankets of rose that baldly smell of scorn, they're all Mister Charles Bukowski from the lawn. Upon entering this place, a bit of my harvest is lost in the bonk. Now I only have change for one last gasp but two knobs and a poker remain. "Oh, whatever shall I do?"

 "STRUM STRUM, Doodle DOO STRUM, STRUM STRUM HOODLE HOO, HO HOODLE HO HOO... There's no snakes in these trees Tempting sailors to say please No fortunes will I find on any butt that's nearest mine, Oh I know what you want, Team revival Japheth, now Shem or Yam or Ham, my shirts a mess and my shoes won't match the shorts on the floor of this old gym," there's yet a lark or a boat to follow this song, with.

Watching, their hair is perfectly swept into a genderless lid. Only half of which is as important as the eyes showing out from underneath that spray. They're as unkempt as an overturned sock drawer. There's a singlet then a tutu with some mismatched socks, yellow is the color of the colander they've chosen for a hat. On the porch smoking; talking about the mice and the math and the math that makes the mice go, they’re dashed with light as if zested.

Milton wants is to hear his own name. He wants to gently return, his words and not theirs, to that more central place. He wants to be golden and to feel radiant. But they don't know what any of that means. Sitting in the sunshine just a few steps from the sidewalk, they are bemused by his turn.

My lady, she's an angry boot. She sings duel sided love songs. My lady, she is adjacent to nothing. She wears silken shoes, my lady does. She's dirty with ocean spray. She offers me nothing short of semisweet, condensed with clotted bees. She's blind before these beans of gold and butter, she's ma lady gone ta bust. (this mercantile bonus, this burgundy hum for a many sided shoe, thus too boot)





Comments

Popular posts from this blog

Totem

Tonight is old. It's wett but current and bored. I'm watching nothing but stars in the often sky that happen... do... tonight is lame like old, young like song, even as blue... Equal after the sun, noon or scripted yellow you are to me... A we (as sound)

Whiskers, chanting, "swap me, swap me!"

Fig.32) Aging poorly We're just together, taking ourselves for a tidy sum of walk and now our toes are wet and cool in the Lak, beside a cool stone that could drive a modernist to their flint. There's a listening experience that feels prepared, "our's for now, ours it says! Here's the hammer and it's wrapped in its own design already. A union in time-space, this card is our greetings, our massive, our very patience is reflected in this resolve." Suddenly, there's a cut away and she's wearing the pants that I've made for her, slow blue like painted smoke . I'm thinking about her hunched over the kitchen table, something that's stuck. There's a carving knife in her hand but from here, it's the same as an old spoon. From here my computer is sitting on my guilty seat, I'm thinking about champagne and comparing it to a thick wad bees and wondering whats in it for me? It's an anxious season, filled with not enough of anythin

Songlet is Best

fig.0231) FizzGraf MT. "Magical, like a chorus of like minded souls in a froth of cotton fumes." Over fake doors, under refurbished ladders, gypsum board and bent yellow pipes offering us an unmade bed and a stained window. Our one chance at tomorrow.  Magnetic guts from at least a thousand cassettes are strewn across the room. Hee-Haw style, fancy dress shoes cling to the floor like it's '86 all over again. Hee-Haw, goes the sound. Hee-Haw, we're closer then we were. Hee-Haw, it's hilarious. Listening for trains, leaning out over the rails like two people with no time at all. Better maps, that's what we need. We could use a melody for singing with this chorus; in whose curious presence more patients wait to be found. With hands over our heads, someone passes by and asks, "gender?"  There's stars in this sweet tooth of mine and some atoms left from the sky, Tonight the whole angle of heaven sleeps without light. Ordering its coffee darkest, t