Skip to main content

Savages By Noon

figure eleven) Open thy doors, O Lebanon, that the fire may devour thy cedars. 

Like this, the distance to the hills is as flat as a cosmic whale opening itself to water, the cupboard, and a tin of beans. So see it this way but over there isn't going anywhere soon either. The days won't run as long as they should. Then some of its hours will fly right by. I've been waiting for the same dance after dinner for decades, bowl in hand. Here, hold this. 
Now's the time for a proper clean up. Not so much as a peep, now it's for real. The UmperKunst and all of the little stone holes that bravely steward the line against the slippery edge of the darkness that's beyond the gathering veil. Where its hypocrisy is an endorsement from the rasping choir that is gathered around this pile of penises like it's a man ready for a drive.
So many of us have been silent for so long. These are the people's resources, the tools of its culture and they should be persuaded to find within themselves a voice that's common and clear. But for the moment they're steadfast only, as silent as all manner of quiet things can be that are broken or scared and need spoons for ill or cloth for quiet. So first, you’ll have to wrap this sleeve around your waist. You'll go around your legs then work up from there. Leave some room for the breechcloth, it's what I'd do.
This pious sack of a fart flaps whose flag hangs from our own fart pole now. A moment can resemble everywhere and the president of my hands won't finish its room. You can't fly away from that sad shit stained cube you're in. You can't rumble into the alley, in the back where it's as safe as bread should be. You can't get away from a house by it's own dreaming.
So take your bucket and leave your troubles over there.

Comments

Popular posts from this blog

The apologist and the appraiser have decided to stay put

dashed wet and grim Oh now, Reagan of steel glitter in pants with which to shake them on down. Oh now, I shit you not for these are the things. Yes in any order you should choose these are the things to please please me, Oh Yeah. - Unmarked letter signed, A to A They'll say to me that it's safe to say so much for ubiquity, for disenfranchisement, and the terrorism of privilege. They'll say to me, With all of the effects from these profoundly toxic effects, is the project of our shared humanity effectively being dismantled. Are these the idle thoughts and sad tidings of despots and the tyrant kings inside of their comfortable towers of raised muck. As I've said before, They're not so far gone as to be gone for the good of all. This is plain to be seen in a world of bent backs and gross hyperbole. I'll sit in any unused doorway. I'll be beside myself while every door is locked. I'll dream of the halls and listen as the curtains, the drinking, an...

Piles of leaves: Letters Campaign

Suddenly old but feeling perfect, my wet underwear is on the the floor. It's gathered round my ankle. Myko laughs, just as wet and full of piss as ever. The violence of our togethering already feels like more than something. I reach out, taking the back of her neck with my hand. She's stepping in as I lean over to write; Dear, Temperance, October, and Brine, You are more than a place to me. More than walls and simple chimes, but I'll write to you anyway. This you'll know as you read my words. From here beside the lark's buttered breast, from under the heavy lids and the bright side kettle where we'll hum. We'll hum together, Bunny. Dickens be damned, we're now brightly doomed. Soon enough we'll see, the forest within the trees. To you, Tigre PS. are more or only this bed, maybe the floor too.   We spend the day in, ordering takeout and hiding under the sheets. I get up and pee while Katt is talking about Milton. Her mouth's open, it's as rou...

Not the Willem DeKooning Retrospective (Not Even Close)

Willem DeKooning, Excavation (1950) oil on canvas Yesterday at work I bumped into this piece by Donald Kuspit on DeKooning's retrospective over at Artnet . Then this morning I bumped into this one on L Magazine's site, by Paddy Johnson . I don't know that Paddy Johnson demystifies DeKooning as much as she takes issue with his pallet, declaring it repetitive and boorish en masse. By contrast, Donald Kuspit writes an article painting DeKooning as a sadistic brute inextricably tied to the modern tradition in general and Picasso specifically. Together they make for some interesting reading, particularly as Kuspit never addresses the show itself in favor of drawing his conclusions from individual works. While Johnson seems to wear the show like an imaginary wool shawl, noting it's uncomfortable, out of style, and the zipper is broken. But she doesn't seem to get to a place that addresses what was actually there either, only what she felt was missing or to her mind ...