Skip to main content

Helen Franklin, at Print-Tartlette

Facing West, is the best...

Helen likes mornings they're soft just like her cats, Ai, Ai, and Ai. She thinks that getting to work early helps prevents fugue, that it reduces fuss, and contributes to overall bliss. But since last night she's felt the weight of a thing latched to her back and spitting anxiety at all of the deep piles of sparkle that she's raised her 2 good hands for. She unlocks the office door and opens her heavy morning window. She sits down and spins around while her messages play through. The dandelion out in the corner crook between the office windows is pitiless.
Johnathon Earle Lee was once a young man in black shoes. He lived down the street in the old brick carriage house near the end. Helen Franklin had known him since she was 15. She got stuck in the Widow’s when she missed an away camp that summer. Helen hadn’t known any of the other local kids since she didn’t stay here. Her parents sent her to astronaut school with the other ballerinas and middle men for a reason. At least that’s what her dad told Momma Jean. He smelled boozy and a little soft hanging on the iron fence in front of their house. She remembered his clingy blue shirt and the way his pants rode up while he gyrated his hips slowly.
Haster’ll love it, you’ll see... Jean, Jean...
Helen lost the train of her thoughts, the saccharin taste of her own mortality rushes her like an envelope. Sweet Sauganash, I don't have a husband she shouts with surprising distress. Springing forward in her chair Helen snaps up the trunkline, putting the cool brass handset between her cheek and the knob of her shoulder. She holds it in place there until she can pull out a pen. The open line’s prowling hum saturates her earbones.
Helen leaned over her desk. Tapping her pen in the margins of the calendar, she left a slow and confident message, I was wondering John, do you know it's my birthday? I could give you a hint but you’ll have to return my call... I’ve got a new dress in mind. Red’s not too much is it? It’ll be wonderful, see you... dunk, dunk... It’s time for you to make an honest choice, John E. Lee.
We split a bottle of cheap wine at Print Tartelette's. You moved back to String St. that summer after Momma Jean passed. So you stayed on the couch with the windows sealed shut. Then after dinner we murdered a bottle of bourbon on your front step. We turned up the radioset and danced between all of the songs that night. You and I talked about nothing good until we wound ourselves up enough to talk about everything bad, bad, bad. That’s how it went John E, do you remember any of it? 
We're too risky to be together and too reckless to be alone,
every word is stormy weather on a night when no one's home
This whiskey dents my grin and your flower's wrecked some beds
Let's kick this trauma in the teeth let's break it's fucking head

Comments

Popular posts from this blog

The apologist and the appraiser have decided to stay put

dashed wet and grim Oh now, Reagan of steel glitter in pants with which to shake them on down. Oh now, I shit you not for these are the things. Yes in any order you should choose these are the things to please please me, Oh Yeah. - Unmarked letter signed, A to A They'll say to me that it's safe to say so much for ubiquity, for disenfranchisement, and the terrorism of privilege. They'll say to me, With all of the effects from these profoundly toxic effects, is the project of our shared humanity effectively being dismantled. Are these the idle thoughts and sad tidings of despots and the tyrant kings inside of their comfortable towers of raised muck. As I've said before, They're not so far gone as to be gone for the good of all. This is plain to be seen in a world of bent backs and gross hyperbole. I'll sit in any unused doorway. I'll be beside myself while every door is locked. I'll dream of the halls and listen as the curtains, the drinking, an...

Piles of leaves: Letters Campaign

Suddenly old but feeling perfect, my wet underwear is on the the floor. It's gathered round my ankle. Myko laughs, just as wet and full of piss as ever. The violence of our togethering already feels like more than something. I reach out, taking the back of her neck with my hand. She's stepping in as I lean over to write; Dear, Temperance, October, and Brine, You are more than a place to me. More than walls and simple chimes, but I'll write to you anyway. This you'll know as you read my words. From here beside the lark's buttered breast, from under the heavy lids and the bright side kettle where we'll hum. We'll hum together, Bunny. Dickens be damned, we're now brightly doomed. Soon enough we'll see, the forest within the trees. To you, Tigre PS. are more or only this bed, maybe the floor too.   We spend the day in, ordering takeout and hiding under the sheets. I get up and pee while Katt is talking about Milton. Her mouth's open, it's as rou...

Not the Willem DeKooning Retrospective (Not Even Close)

Willem DeKooning, Excavation (1950) oil on canvas Yesterday at work I bumped into this piece by Donald Kuspit on DeKooning's retrospective over at Artnet . Then this morning I bumped into this one on L Magazine's site, by Paddy Johnson . I don't know that Paddy Johnson demystifies DeKooning as much as she takes issue with his pallet, declaring it repetitive and boorish en masse. By contrast, Donald Kuspit writes an article painting DeKooning as a sadistic brute inextricably tied to the modern tradition in general and Picasso specifically. Together they make for some interesting reading, particularly as Kuspit never addresses the show itself in favor of drawing his conclusions from individual works. While Johnson seems to wear the show like an imaginary wool shawl, noting it's uncomfortable, out of style, and the zipper is broken. But she doesn't seem to get to a place that addresses what was actually there either, only what she felt was missing or to her mind ...