Artists Run Chicago

Treatment For Three Volumes (2009) Van, Cardboard

Treatment For Three Volumes (2009) Van, Cardboard
Diego Bobby

Owing to the strength of modernity, with its pedagogical nowness, and it's remote biases, Treatment For Three Volumes acts as an “assemblage” of hierarchal moments in the stanza of a joke. It's punch line both eminent and expected within an accepted pattern of 3 passes. This work's treatment is the litmus of comedy in the crucible of specificity and timing. Its nature is narrative though not as an imperative but as a breathe following the mixed gestures of a hiccup followed then by a fart, and a sneeze. Driven as a device of element and process, Treatment For Three Volumes is the gleaned wit of spurned children blessed in the tidal waters of the 60's. It's notions to be determined in the gathering and assembling of the same materials thrice, immediately, and within the context of their immediate experience. It's understanding however lay in the post-contemporary earnestness for doubt and illusion that is both inert and pervading. Wherein the expense of suffering through the imminent moment of the narrative now, at the expense of the audiences voyeuristic instinct remains a sacrificial distinction of honest depravity. To you, I say good luck.

Shrill Show
Hyde Park Art Center
06-20-09

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The apologist and the appraiser have decided to stay put

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Not the Willem DeKooning Retrospective (Not Even Close)

Willem DeKooning, Excavation (1950) oil on canvas Yesterday at work I bumped into this piece by Donald Kuspit on DeKooning's retrospective over at Artnet . Then this morning I bumped into this one on L Magazine's site, by Paddy Johnson . I don't know that Paddy Johnson demystifies DeKooning as much as she takes issue with his pallet, declaring it repetitive and boorish en masse. By contrast, Donald Kuspit writes an article painting DeKooning as a sadistic brute inextricably tied to the modern tradition in general and Picasso specifically. Together they make for some interesting reading, particularly as Kuspit never addresses the show itself in favor of drawing his conclusions from individual works. While Johnson seems to wear the show like an imaginary wool shawl, noting it's uncomfortable, out of style, and the zipper is broken. But she doesn't seem to get to a place that addresses what was actually there either, only what she felt was missing or to her mind ...

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