The Bruegel of Note

fig.134.2) and a pack of smokes, that's every young boys dream.

We had a book filled with good plates of his work in my high school art seminar. I would pour over those images, absolutely beguiled. While many other painters of the time seemed to be painting upwards towards the heavens, with their eyeballs planted firmly on the elite, the clergy and the landed aristocracy of the day Bruegel himself seemed to be drawn from plainer stuff. There was a commodiousness to his work. It seemed to me that those pieces were filled with corners rounded honestly and the panels shone through with the ambience of people gathering for work or to simply be and this was good to see. I found his paintings to be both immediately funny and cosmically quizzical in a way that for me presaged the earthy truisms of Benjamin Franklin's writing or the warm and mopey sadness that's common to Charles Schulz. At the time I hoped to one day be a painter of merit, to be the catalyst for other's interpretations of our intrinsically banal pursuits. I hoped to one day find within myself the ambition and the drive to make solid that which seems to be so temperamental or beguiling and unrelatable. Instead, I fell short of all of those marks. The best of my work was flat and it was far too picture like. However one of the last paintings I made now hangs above a bar were people gather together and they drink sloppy beers while talking and listening to the lamentable sounds of Bob Seger's Night Moves. I think that rather than painting a masterpiece my painting might one day be a part of another masterpiece. One that has its own rounded corners for eyes even more wide than mine ever were.

fig.134.3) So it is with cries of imagination from the field.

Comments

Totem

Tonight is old. It's wett but current and bored. I'm watching nothing but stars in the often sky that happen... do... tonight is lame like old, young like song, even as blue... Equal after the sun, noon or scripted yellow you are to me... A we (as sound)

Songlet is Best

fig.0231) FizzGraf MT. "Magical, like a chorus of like minded souls in a froth of cotton fumes." Over fake doors, under refurbished ladders, gypsum board and bent yellow pipes offering us an unmade bed and a stained window. Our one chance at tomorrow. Magnetic guts from at least a thousand cassettes are strewn across the room. Hee-Haw style, fancy dress shoes cling to the floor like it's '86 all over again. Hee-Haw, goes the sound. Hee-Haw, we're closer then we were. Hee-Haw, it's hilarious. Listening for trains, leaning out over the rails like two people with no time at all. Better maps, that's what we need. We could use a melody for singing with this chorus; in whose curious presence more patients wait to be found. With hands over our heads, someone passes by and asks, "gender?" There's stars in this sweet tooth of mine and some atoms left from the sky, Tonight the whole angle of heaven sleeps without light. Ordering its coffee darkest, t

Whiskers, chanting, "swap me, swap me!"

Fig.32) Aging poorly We're just together, taking ourselves for a tidy sum of walk and now our toes are wet and cool in the Lak, beside a cool stone that could drive a modernist to their flint. There's a listening experience that feels prepared, "our's for now, ours it says! Here's the hammer and it's wrapped in its own design already. A union in time-space, this card is our greetings, our massive, our very patience is reflected in this resolve." Suddenly, there's a cut away and she's wearing the pants that I've made for her, slow blue like painted smoke . I'm thinking about her hunched over the kitchen table, something that's stuck. There's a carving knife in her hand but from here, it's the same as an old spoon. From here my computer is sitting on my guilty seat, I'm thinking about champagne and comparing it to a thick wad bees and wondering whats in it for me? It's an anxious season, filled with not enough of anythin

stagnanTVowels

Search This Blog