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Showing posts from August, 2015

a bird's entrails are in a bowl on a table and there's a red scarf wrapped around your head...

fig. a) mise en abyme, after which an appropriation and new purpose   Friar Laurence:  While corners keep an open mouth to news Nearer now and nearer thee effuse So lurking in the birds Sharp as Tuesday, with purpose, and with smith I've often, for many For many more, I've often too. Guiled this rattle wit. Again... this witless side's abuse Yes yes, Romeo might be fair in Verona. But its the props and their significance that creates this false narrative. As for documentation, that's the real matter of this work. Its the star crossed lovers part of this story. Creating work that actively engages the audience's ability to dismantle the subject-object narrative. Its the dismantling of inertia through the agency of ubiquity with documentation in any form that might take, to wit... Friar Laurence:  Be plain, good son, and homely in thy drift; Riddling confession finds but riddling shrift. Superhero 1: Couple that stately table's service with a parlor

First and Last...

farm of our hope is sweet from disease Daycare's list, Slow's inimical post-machine sings, The Girth of Gender and The Sour in the Wine's Away. The text above the door is attributed to Virgil, sweet Virgil. Procedural blooms have impacted the practice of textual analysis just ask the kids with the paper bags, they'll know. Or ask the kids with the sponges because they'll know too. The paste pot is as big as a head, it has an enormously intricate lid on top. The knotted wooden spoon for it is laying on the floor. Dead skin, lost hair, plastic beads and paperclips are all sorted according to some slack plan as it's happening. The description of a list should always include: list, industrial shelving unit, white wash, marker, potted flower, shoe box, a sturdy indent with clamp. This is the way of the room that's sitting inside the school beside the tangled blue entertainment complex of cancer glass and grim lit steel.

Claudio and the Mysteries of Auxiliary Owen

ed, S. Dot - show 2 for the box (example/estuary) A stout grey mansion with many floors and a wide view of the Lac-du-Platz at the edge of Wabansia and it’s most grand park is Green's Philanthropic. After years of neglect this stern building is now stuffed with patchwork gallerinas, old paint, and elbow grease. The Tartlette is nestled here into the quiet half story just below the promenade that passes in front. Turpsy tiny pioneers gather here and grumble about their coffee burns and ostrich feathers. It’s late in the year and the bakery feels like it can’t get warm enough ever. Monstre Luza sits on her stool at the back of the long counter with it’s pitted chrome and Formica. She’s well away from the other’s chatter and their mulch. A union spigot drips onto the treads of a black mat under the stairs beside her. Next to the spigot is a cold mop hiding its mildewed mopping cheek. A little girl jumps for its handle and misses. A little girl jumps for the mop handle and knoc

The mended object as art is as art for art's sake

Latin for, repeat me This document is incomplete, it contains descriptions gathered from passages that were examined in the previous section. With some effort they can be abutted and read with a similar intention. It's not difficult to imagine the potential of these techniques when they are applied to the plastic arts. Their visual component also serves to highlight and inform our individual experience. However they can have unintended and deleterious side effects such as prurience. Skepticism by necessity is the consequence of experience and not included here. It's marginal to quote directly from popular culture or from the actual source. Don (Helvetica): True to purpose, the liver of my cup is only a sample that aches. Comma (Texas): Then let us gather around this green tree and pass our warm energy in a comfort circle of joy and bliss. me repetere as transition This isn't a baseball or some other machine for nostalgia it's a master plan with s